Bintaran, from the House of Pangeran Bintoro to Indische City
Similar to Kotabaru, Bintaran was an alternative dwelling place for Dutch people who lived in Indonesia. It grew when Loji Kecil area could not accommodate the inhabitants anymore. Physically, the area that you can reach by walking eastwards from Gondomanan crossroad did not grow as fast as Kotabaru. One of the factors was the location that is still close to Loji Kecil so that various facilities could be accessed easily.

Before becoming an Indische dwelling place, Bintaran was known as the place where Ndalem Mandara Giri functioning as the house of Prince Haryo Bintoro, one of Ngayogyakarta Hadiningrat Kingdom descendants. The growth of Bintaran as an Indische dwelling place was predicted to begin in 1930s signed with construction of house, facilities such as church and even prison. Generally, Dutch people who lived in Bintaran were those working as officers and workers at sugar factory.

Similar to other Indische kampongs, when YogYES visited, Bintaran was decorated with buildings in characteristic European-style architecture. Nonetheless, the characteristic of the buildings in Bintaran area is different from the characteristic of the buildings in Loji Kecil or Kotabaru. The yard of the house in Bintaran area is wider, while the verandah is smaller with many pillars; exterior window shutter is in the form of blind and the interior window leaf is decorated with glasses.

Architecturally exotic, historical building in the area is certainly Ndalem Mandara Giri. The architecture of the house was combination of Javanese and Dutch. Javanese characteristics can be seen from the hall of which materials were shipped specially from Demak in 1908. Meanwhile, the characteristics of the Dutch building can be known from the vast space and high walls with characteristic Dutch big windows having two window leaves.

After Prince Haryo Bintoro left this place, other descendant of different kingdom lived there. The wide hall of the house had been functioned as keris exhibition room, even when the house was emptied since 1997. Now, this building that you can find easily on the T-junction after you turn left from Sultan Agung road functions as the office of Karta Pustaka, and Indonesian-Netherlands institution.

Other historical buildings can be found near Ndalem Mandara Giri. One of them is Sasmitaloka Jenderal Soedirman building on the left side of Bintaran road. In the past, the building founded in 1890 was used as the dwelling place of finance office of Paku Alam VII castle named Wijnschenk. The building once was utilized as official house of General Soedirman, then the dwelling house of Tukul Company after the independence.

Meanwhile, Biology museum on Sultan Agung road used to be functioned as the house of Paku Alaman local military supervisor. The house of a Dutch named Henry Paul Sagers now functions as Fire Department office. Another historical building is the Dutch prison that currently functions as Wirogunan prison.

Like Indische dwelling place in general, Bintaran also has church facility. Interestingly, Bintaran church was founded based on the idea of Javanese people who did not feel comfortable with the way Dutch people said their prayer. H. van Driessche. SJ, a Dutch-Indonesian person became the construction coordinator of the church that is located at the south end of Bintaran road. The naming of this church that was built in 1931 to become Saint Josef Church related to Father Driessche's prayer to Saint Josef when he felt it difficult to find a location for the church.

In addition to the building and history, Bintaran now also offers other enchantment, namely its culinary. One of the famous ones is Bakmi Kadin (the main menu is fried and boiled noodles) that is located in West Bintaran.





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Affandi Museum, Visiting the Palace of a Maestro

Visiting Affandi Museum that is located on Jalan Raya Yogyakarta - Solo, or by the west bank of Gajah Wong River, give an opportunity for you to trace all meaningful parts of Affandi's life. You can see the great works when he was alive, the works of other painters that he kept, the vehicles that he used in the past, the house where he used to live and a gallery that now functions as a place to educate gifted children in painting.

The complex of the museum consists of 3 galleries with gallery I as the ticket box and the starting point of your exploration. Gallery I that was personally opened by Affandi in 1962 and was inaugurated in 1974 contains some of his paintings from the early time of his work to the late time of his life. The paintings most of which are sketches and reproductions are placed in two rows - upper and lower - that fill the curved room.

Still in Gallery I, you can see valuable things belonging to Affandi. At one corner of the room, there is a 1976 Colt Gallant car in greenish yellow color that was modified to form a fish, and an old wind-cycle as his means of transportation. The reproduction of the statue of Affandi and her daughter, Kartika, is shown as well.

Entering Gallery II, you will see paintings by different painters, both junior and senior ones. The gallery that was inaugurated in 1988 consists of two floors with paintings that you can see from different angles. The first floor is full of abstract paintings and the second floor contains realist-style paintings.

Gallery III as the next destination is a unique building of which roof resembles banana leaf. The three-stories floor is a multifunction gallery with the first floor functions as an exhibition room as well as the location of "Gajah Wong Gallery" for children who sharpen their painting ability, the second floor functions as paintings treatment and restoration room, and the room underground is utilized to keep painting collections.

There is a tower close to Gallery III where you can see the scenery of the entire museum, Gajah wong River and the hurly-burly of the main street. Walking to the west, you will come to a house with unique architecture where Affandi and his family used to live.

The house was built with the concept of a stage-house with concrete as the main pillars and other poles are from wood. The roof is shingle roof forming banana leaf and the shape of the building is uniquely curving. The ground floor is used for Kafe Loteng where you can buy foods and drinks and the upper floor is personal room of Affandi's.

At the left side of the house, there is a cart functioning as a place for praying. The cart used to be the resting place for Affandi's wife, Maryati. Initially, Maryati wanted a caravan as the ones used by many Americans as a mobile living place. Affandi agreed to the concept but with more Indonesian style, namely a cart.

Before leaving the museum, take a little time to visit the tomb of the maestro who passed away on 23 May 1990. The tomb lays between Gallery I and II. The eternal home of Affandi's lays beside his wife's eternal home. The yard of the homes is decorated by lushness of rose trees.

In order to visit Affandi Museum, you only have to spend IDR 10,000 for domestic tourists and IDR 20,000 for foreign tourists and additional IDR 10,000 for taking photographs.

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Kukup Beach

Kukup Beach is a white sandy beach lies in Kemadang village, Tanjungsari sub district, about 1 km away in the east of Baron beach, it has a pathway trough the hill up to Baron beach and also a coral island, which is connected by a senggol bridge.

This beach is rich in sea life and also famous of its various kinds of beautiful fish in sea aquarium or various kinds of beautiful fish sold by the merchants along the beach. There are hall (pendopo), cottage and other facilities in this area. Just like in Baron beach, this beach also performs a sea offering ceremony every Syuro.




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BERINGHARJO FRIED RICE - Deliciousness of Javanese-Chinese Culinary

Beringharjo Fried Rice, can now be found on Jalan Mataram, right of the third T-junction on the left side of the street leading to the historical market in Yogyakarta. Before the end of the year 2004, when the food stalls were still open in the area, the fried rice was found on the T-junction leading to Shopping area that now is changed into Taman Pintar, Taman Budaya Yogyakarta and the center of book shops.

This fried rice is worth trying because many people acknowledge its deliciousness since the owner started its business in 1960s. You do not have to wait for the menu to be served since the seller has cooked them in big portion. It starts open from 06:00p.m to 11:00p.m. with cross-legged and chairs seating arrangement.


Eating this fried rice, you feel like listening to a plate of story about Javanese-Chinese acculturation. Fried rice itself actually originated from China and immigrated to Indonesia. Initially, fried rice existed from Chinese tradition that prohibit throwing uneaten rice, so that the rice was processed using available ingredients such as onion, garlic, and ketchup. When Chinese people came to Indonesia, such a cuisine was known by Indonesians as well and started to mix with Indonesian cuisine.

The acculturation can be seen from the variation of fried rice, from chicken fried rice, seafood fried rice, mutton fried rice, and even pete (beans with pungent odor) fried rice as Indonesian special ingredient. The taste also varies; some accentuate the taste of garlic and some accentuate the taste of additional material such as chicken. Beringharjo Fried Rice chooses to cook chicken and pork fried rice.

Speaking of ketchup as one of the ingredients, it also keeps story about acculturation of Chinese people living in Java. Ketchup, actually was named kie tjap, is made of fermented fish concentrate. When Chinese people living in Java found that soybeans were cheaper than fish, the raw material of ketchup making was changed to soybeans. Consequently, it did not have fish taste; it only tasted sweet for sweet ketchup that is used to cook fried rice. Strong taste of garlic also becomes characteristic of Chinese cuisine.

Although there are many fried rice sellers, Beringharjo Fried Rice is still special. The process of cooking, for example, is in big portions. As much rice as half of a big rice basket can be cooked at once in a very big pan. The ingredients are very special since they have been mixed at home and ready to use.

Chicken or pork is added when the fried rice is on the plate. Besides, slices of fresh tomato, cabbage, celery, omelet or pickle are additional. A plate of fried rice costs IDR 5,000 for chicken and IDR 6,000 for pork. Some customers even order one and a half or even two portions at once because of its deliciousness.

The taste is just right, not too sweet nor too salty. The aroma of garlic is not too strong yet tasty. Are you interested in tasting? You can have other menus such as fried noodle and pork cooked with ketchup that are not less delicious. (yogyes.com)



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Borobudur, the Biggest Buddhist Temple in the Ninth Century

Who does not know Borobudur? This Buddhist temple has 1460 relief panels and 504 Buddha effigies in its complex. Millions of people are eager to visit this building as one of the World Wonder Heritages. It is not surprising since architecturally and functionally, as the place for Buddhists to say their prayer, Borobudur is attractive.

Borobudur was built by King Samaratungga, one of the kings of Old Mataram Kingdom, the descendant of Sailendra dynasty. Based on Kayumwungan inscription, an Indonesian named Hudaya Kandahjaya revealed that Borobudur was a place for praying that was completed to be built on 26 May 824, almost one hundred years from the time the construction was begun. The name of Borobudur, as some people say, means a mountain having terraces (budhara), while other says that Borobudur means monastery on the high place.


Borobudur is constructed as a ten-terraces building. The height before being renovated was 42 meters and 34.5 meters after the renovation because the lowest level was used as supporting base. The first six terraces are in square form, two upper terraces are in circular form, and on top of them is the terrace where Buddha statue is located facing westward. Each terrace symbolizes the stage of human life. In line with of Buddha Mahayana, anyone who intends to reach the level of Buddha's must go through each of those life stages.

The base of Borobudur, called Kamadhatu, symbolizes human being that are still bound by lust. The upper four stories are called Rupadhatu symbolizing human beings that have set themselves free from lust but are still bound to appearance and shape. On this terrace, Buddha effigies are placed in open space; while the other upper three terraces where Buddha effigies are confined in domes with wholes are called Arupadhatu, symbolizing human beings that have been free from lust, appearance and shape. The top part that is called Arupa symbolizes nirvana, where Buddha is residing.

Each terrace has beautiful relief panels showing how skillful the sculptors were. In order to understand the sequence of the stories on the relief panels, you have to walk clockwise from the entrance of the temple. The relief panels tell the legendary story of Ramayana. Besides, there are relief panels describing the condition of the society by that time; for example, relief of farmers' activity reflecting the advance of agriculture system and relief of sailing boat representing the advance of navigation in Bergotta (Semarang).

All relief panels in Borobudur temple reflect Buddha's teachings. For the reason, this temple functions as educating medium for those who want to learn Buddhism. YogYES suggests that you walk through each narrow passage in Borobudur in order for you to know the philosophy of Buddhism. Atisha, a Buddhist from India in the tenth century once visited this temple that was built 3 centuries before Angkor Wat in Cambodia and 4 centuries before the Grand Cathedrals in Europe.

Thanks to visiting Borobudur and having supply of Buddha teaching script from Serlingpa (King of Sriwijaya), Atisha was able to improve Buddha's teachings after his return to India and he built a religion institution, Vikramasila Buddhism. Later he became the leader of Vikramasila monastery and taught Tibetans of practicing Dharma. Six scripts from Serlingpa were then summarized as the core of the teaching called "The Lamp for the Path to Enlightenment" or well known as Bodhipathapradipa.

A question about Borobudur that is still unanswered by far is how the condition around the temple was at the beginning of its foundation and why at the time of it's finding the temple was buried. Some hypotheses claim that Borobudur in its initial foundation was surrounded by swamps and it was buried because of Merapi explosion. It was based on Kalkutta inscription with the writing 'Amawa' that means sea of milk. The Sanskrit word was used to describe the occurrence of disaster. The sea of milk was then translated into Merapi lava. Some others say that Borobudur was buried by cold lava of Merapi Mountain.

With the existing greatness and mystery, it makes sense if many people put Borobudur in their agenda as a place worth visiting in their lives. Besides enjoying the temple, you may take a walk around the surrounding villages such as Karanganyar and Wanurejo. You can also get to the top of Kendil stone where you can enjoy Borobudur and the surrounding scenery. Please visit Borobudur temple right away...

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I was a woman aged 21 years old working in one of the private companies in Yogyakarta. I tried to make bloging. please visit to my blog ..

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